Performers:
Kristin Bolstad: voice
Linnéa Sundfær Casserly: voice
Karoline Gullberg: voice
Julie Kleive: voice
Gabrielle Sørensen: voice
Are Lothe Kolbeinsen: guitar
Torstein Lavik Larsen: trumpet, percussion
Ulrik Ibsen Thorsrud: percussion/drums
On 27 August 2025, Stemmeklang • Parallax released the double album OSEAN, a large-scale sonic work shaped by space, time, and materiality.
OSEAN was created in 2023 inside the Emanuel Vigeland Museum, whose vast reverberation and singular atmosphere function as both acoustic backdrop and sonic laboratory. The work unfolds as an immersive oceanic journey: through coral reefs and storms, foghorns, birds and whale song, dripping caves and forgotten shipwrecks—everything bathed in the museum’s monumental resonance.
The release appears both digitally and as a carefully crafted physical edition. Each of the 100 physical copies includes a unique pop-up paper sculpture designed by the renowned German paper artist Peter Dahmen. Composed of 11 elements in three different colors, every sculpture is individually assembled by hand, resulting in subtle variations of color, shadow, and form. Associations emerge—floating icebergs, waves, coral structures, vessels, shifting sea levels—mirroring the music’s modular and ever-changing nature.
OSEAN is built from melodic fragments, textures, and long-form states that are assembled differently each time the work is performed or realized. This “building-block” approach is reflected in the album structure itself: the first disc consists of shorter movements, while the second unfolds as a nearly hour-long continuous work. Like the sculpture, the music reveals new layers depending on perspective, time, and listening context.
The album was recorded over two days in January 2025 at Emanuel Vigeland Museum, with Fridtjof Lindeman as recording engineer and the ensemble acting as artistic producers. The recording process followed the same methodology as the work’s development—moving between wholes and fragments, free improvisation and more defined sonic identities—allowing the space and the moment to actively shape the final form. Mixing and mastering were completed by Lindeman in close collaboration with the ensemble.
OSEAN is released by Particular Recordings Collective, an artist-run cooperative dedicated to high-quality releases across jazz, classical, improvisation, and contemporary music. Digital distribution is handled by The Orchard, alongside physical distribution through Particular Recordings and the artists themselves.
Promotion of OSEAN has focused on live performance as its primary medium. Since its premiere in April 2023, the work has been presented in architecturally distinctive spaces, including Neptun - a decommissioned fish oil tank in Vesterålen, the Gunpowder Tower at Munkholmen in Trondheim, and Tune Church in Sarpsborg—each venue further shaping and transforming the piece.
The album launch was marked by four release concerts at Emanuel Vigeland Museum in August 2025, accompanied by public conversations about the work’s creation and dissemination.
OSEAN is not only a musical release, but a work of craftsmanship and visual art—an improvisation in both sound and paper. It stands as a quiet protest against speed, efficiency, and disposability, choosing instead depth, duration, and careful attention. A slow project. A long work. An invitation to listen differently.
About Stemmeklang:
Stemmeklangis a Norwegian vocal ensemble dedicated to exploring the expressive and sonic possibilities of the human voice. Working at the intersection of contemporary music, improvisation, and site-specific performance, the ensemble approaches voice as both musical instrument and physical phenomenon—capable of texture, resonance, noise, and fragile intimacy.
Stemmeklang’s artistic practice is rooted in deep listening and collective creation. Their work often emerges through long-term processes, where composed material and improvisation coexist, and where space plays an active role in shaping the music. Architectural acoustics, resonance, and spatial perception are central components of their artistic identity, and many of their projects are developed specifically for distinctive rooms, buildings, and environments.
The ensemble collaborates closely with composers, improvisers, sound artists, and visual artists, and is particularly interested in cross-disciplinary formats where sound, materiality, and presence interact. Their projects often challenge traditional concert formats, inviting audiences into immersive listening situations that emphasize duration, attention, and sensory awareness.
Stemmeklang’s repertoire spans newly commissioned works, collaborative creations, and site-responsive performances, frequently presented in unconventional venues such as churches, industrial spaces, and architectural landmarks. Through these contexts, the ensemble explores the voice not only as a carrier of text or melody, but as raw sound—breath, vibration, resonance, and collective gesture.
With a commitment to artistic depth, craftsmanship, and experimentation, Stemmeklang continues to develop projects that question how vocal music can be created, experienced, and embodied today—seeking new forms of presence, slowness, and shared listening.
Contact:
Ulrik Ibsen Thorsrud
Solheimgata 7b
0267 Oslo
Norway
+47 96 86 17 79
Booking@parallax.no
Webdesign by Ulrik Ibsen Thorsrud
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